Rodeo Review Travis Scott
48 MAKE IT STOP Travi$ Scott attempts to raise hell, but are his efforts undercooked? Travi$ Scott has been the figure of some controversy for a myriad of reasons. Number one, he appears to have a reputation for being a dick, but that's actually not anything new to rap. He's also been known to bite styles, which is yet another familiar trope. But, perhaps above all, is the fact that both Grand Hustle and G.O.O.D. Music have seen fit to fully endorse Travi$ Scott as 'that guy.' He has been considered an essential part of Kanye West's last 2-3 years of output, though to what degree is impossible to determine.
Sep 07, 2015 Travis Scott - Rodeo ALBUM REVIEW theneedledrop. Unsubscribe from theneedledrop? TRAVIS SCOTT - RODEO / 2015 / GRAND HUSTLE / TRAP RAP. Travis Scott is a star. Some will say, with strong statistical proof, he’s a superstar. As one of the youngest raging rock stars to tap into the pulse of the youth, it’s impossible to dispute.
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Also he's released a number of mixtapes that have considerable aid from the lesser-known stars of hip-hop, in both production and rapping; who don't get the considerable media fawning that being the apple of Kanye West's eye gets you. In this regard, his debut LP, Rodeo, places significant demands upon Travi$ Scott. So can this record finally silence doubts and criticisms, and prove is worth all of the hype? One of the albatrosses of Rodeo is not Travi$ himself, but the guiding hand of Mike Dean.
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For the uninitiated, Dean's masterful production and engineering have made him an integral part of the classic '90s albums that emerged from Rap-A-Lot records. Songs lyrics indian. His considerable musical talents and exceptional ear, doing magic for Texas representatives such as Z-Ro,, and Devin The Dude, before moving on to be Kanye's right hand man since Graduation. But while all of these individuals have had long-standing careers before Dean's guiding hand helped them out, Travi$ is still relatively unproven. With a good many of his production skills tied to figures like Kanye or journeymen rap producers of the current scene, like Metro Boomin and Sonny Digital, he becomes a rather imposing figure. Rodeo has a vast smorgasbord of psych-rock interludes, and massive beat switches that allow guest features to resemble whole new songs, and it's going to be very easy to presume Dean not only had a big influence in allowing Scott to craft this cinematic approach, it's also not outlandish for cynical critics or anti-Scott haters to simply lay all the positives at Dean's feet. Furthermore, with a cast of pinch-hitters like the aforementioned Boomin or Digital, as well as other heavy-hitters like Williams, TM88, DJ Dahi and more, it doesn't leave a lot of room for Scott himself to showcase his own talents. In fact, besides the Kanye-featured “Piss On Your Grave,” Scott is notably uncredited on the beat-making side.